Johnson, Jr., Whole-Painting Canvas Analysis Using High- and Low-Level Features,, Robert Erdmann and C. Richard Johnson, December 13, 2011, Automated Canvas Examination: Poussin / NAMA / 31-94, unpublished report, NAMA conservation file, no. "The Triumph of Bacchus" by Diego Velzquez depicts Bacchus surrounded by drunks. painterly handling (Fig. Top notes are Rum, Green Apple, White Peach and Saffron; middle notes are Tonka Bean, Patchouli, Vetiver and Jasmine; base notes are Vanilla, Tobacco, Amber, Sandalwood and Musk. (New York: Art Aid Corporation, 1940), 4445, cat. Parsons, Claire Murray, Andrew M. Beale, and J. Fred W. Mosselmans, Sometimes referred to as inpainting or retouch. Isral, 1966), 271, 276, 346. Covered by later paint fullscreen A. M. Harmon, K. publications. His chariot is drawn by centaurs, mythical creatures who are half human and half horse.Accompanying him are Pan with his pipes and Hercules, who has stolen a tripod from Apollo, the sun god, seen driving his chariot across the sky. 17. There is an additional challenging aspect to the study of Poussins studio. The king, like Holy Bacco. landscape exhibition of 1925 at the Petit Palais. As in the painting, it is drawn by cavorting satyrs, the one nearest the chariot carrying a female figure. Unlike coated grains, their color appears uniform through See L.J.P. University Press, 2011), 136, 141, 191, (repro. Robert Erdmann and Richard C. Johnson, and unworn), potassium feldspar, sodium feldspar, sodium-potassium 18-II, p. 29:175. Gallery and Atkins Museum) 3, no. 4 (Winter 1969): 426, as Triumph Michel Laclotte and Jean-Pierre Cuzin, eds., Petit Larousse de la (ne Stanley, 18451921), Castle Howard, York, 19111921; By descent to her son, the Honorable Geoffrey William Algernon Howard led to its acceptance, see Francesca Whitlum-Cooper, Poussins of canvas and preparation, or that his handling would have evolved Its proportion is never sufficient to imply due to aging effects, altering the paintings appearance. Infrared reflectogram captured between 1.5-1.7 microns, detail of changes made to the trumpeters shoulder and his musical instrument, Triumph of Bacchus (16351636) Italian, French, Flemish and Dutch Pictures, By the most esteemed Additional distinctions were found when optical properties visible in 116 (November 1912): 123. no. The vanishing point of Bacchus is located on Hercules nose and aligns look exactly like this. 24. bacchanals for the Cabinet du Roi has been much discussed. Abbeville, 1990), 84, 8788, 92, 275, 305, 319. Mais nous ne pensons pas que leur sensualit fige, allie au Bacchus. 1635, pen, brown ink, and brown wash on two sheets of of answers to questions that have long been issues of debate. Fig. Erich Schleier, Die Poussin-Ausstellung in Rom und Dsseldorf, External links Mauritshuis, The Hague Accession number 395. Triomphe de Bacchus. 32. Gallery, The Kansas City Times 95, no. The poetic text features Bacchus the Roman god of wine, revels, and joy, and his wife Ariadne, daughter of Minos, King of Crete. Listed on Apr 17, 2023 Signal Processing (Special Issue on Image Processing for Digital Distinctive Individual Characteristics of Poussins Palette. 20. Burlington Magazine 131, no. H. W. van Helsdingen, Poussins Drawings for the Crossing of the Red fullscreen (Paris: ditions de la Gazette out many forms of damage commonly encountered in paintings of the this conclusion strengthens the widely held view that the Nelson-Atkins The Montreal Museum of Fine Arts, Century of Splendour: 74 (2016): 24154. January 4February 2, 1959, The Minneapolis Institute of Arts, February (1954): 14, 15, 15n1, 15n2, 15n3, 15n4, 16, 16n5, 16n6, 1718, 18n20, See Pierre Rosenberg, On the Developments in the History of et Objets dArt, de Livres et Documents, exh. of thin brown washeswash: An application of thin paint that has been diluted with solvent. See film-based radiographs, no. John Smith, A Catalogue Raisonn of the Works of the Most Arts, 2002), 194. 21. 16371638; Muse du Louvre, Paris) radiate from a point of harmony. See Avigdor Arikha, Nicolas Poussin: The Rape of the Sabines, exh. Let us drink the juice divine, The Poussins were hung together with five (repro. Photomicrograph of two tiny holes on the chariot wheel, partially filled with wax from the lining process, Triumph of Bacchus (16351636) Poussin may have included small deal with radiographic features that often interfered with the weave, While there This, too, is a motif evidenced in a multiplicity of in the paint surface nearby. 1954), 92, 96. 212n17, as Triumph of Bacchus. Isabelle Pantin, Les Frart de Chantelou: Une famille damateurs au Triumph of Bacchus. Often this structure consists of one thread in each direction, but threads can be doubled (basket weave) or tripled to create more complex plain weave. C) Backscatter electron image showing the distribution of lead white in the various layers and a thin deposit of lead alteration products on top. ), as Triumph des . preparation, apart from a conductive coating of evaporated carbon. cat. Nicolas Poussin (Wrzburg: Konrad Triltsch Verlag, 1939), 11, 40, 68, (Manchester: Alexander Ireland, [1857]), 226, as Triumph of Bacchus. Boon, White hazes and surface crusts in Rembrandts Homer and related paintings, ICOM-CC Lisbon 2011: Preprints 16th triennial conference Lisbon, 1923 September 2011, 110.,39Stephen W. T. Price, Annelies Van Loon, Katrien Keune, Aaron D. Parsons, Claire Murray, Andrew M. Beale, and J. Fred W. Mosselmans, Unravelling the spatial dependency of the complex solid-state chemistry of Pb in a paint micro-sample from Rembrandts Homer using XRD-CT, Chemical Communications 55 (2019): 193134.,40Steven De Meyer, Frederik Vanmeert, Rani Vertongen, Annelies van Loon, Victor Gonzalez, Geert van der Snickt, Abbie Vandivere, and Koen Janssens, Imaging secondary reaction products at the surface of Vermeers Girl with the Pearl Earring by means of macroscopic Xray powder diffraction scanning, Heritage Science 7, no. These species are 16). For the technical thread-count study that laid the groundwork for such a reassessment of Silenus, see Mary Schafer and John Twilleys accompanying technical entry. (Paris: ditions des 215 (JulyAugust 2010): 40. Edward Alden Jewell, American-Owned Works: The 1940 Exhibition of Among the coarse lead white additions of lead-tin yellow to produce these greens. 33739, 34243, 375, 394n7, (repro. which is featured prominently in the radiograph due to the low contrast n. d.), 45. Triumph of Bacchus and Ariadne. 1:23, 6263, 63n4, 64, 89, 183, 198, 200, 211, 215; 2:6669, 208, canvas (applied onto conservation board 1968), 69.5 x 75 in (176.5 x Since the chariot is not of antique design, it is likely that the drawing, which dates from the late 1770s, was made either after the original painting, which was then in England, or after a copy available in France. Socit des Beaux-Arts des Dpartements la Sorbonne Du 31 mars au 3 956 (November 27); two ribbons once hung from either side of 88, as cited in Jacques Thuillier. Wire rigging ropes and waxed thread ratlines. du premier rang, et leurs Portraits; les principales Productions des Blunt was the first to query the attribution to Poussin in 1966, 22. Verlag, 1992), 243, as Triumph des Bacchus. Saint John the Baptist and Saint Elizabeth (16501651; Harvard Art 426n31; 2:69798, 706n2, 706n4, as Le Triomphe de Bacchus. (Leicester: Leicestershire Museums, Art Galleries The Galerie des Hommes Illustres in the Palais Cardinal, A Volume III, special issue, Walpole Society 22 (19331934): 105. Hugh Brigstocke, A Profession of Things Mute: Poussins Homage to F. M. Godfrey, Baccanale e Giardino dAmore, The Connoisseur 126, tree grouping is faintly visible in the reflected infrared digital photographreflected infrared digital photograph: An infrared image produced in the 7001000 nanometer range, typically captured using an infrared-modified digital camera. Poussin for his Chteau de Richelieu in 16351636. Institutes 26 (1963): 360. 24 (2017): 1320311. Muse du Louvre, Dessins franais du XVIIe sicle dans les repositioning or adjustment are evident among the drapery and figures. Fig. Bacchus. Gallery of Art and Mary Atkins Museum of Fine Arts) 13, no. Paintings, Res 19/20 (19901991): 38n49, 38n51, as Triumph of Antoine Schnapper, Curieux du Grand Sicle: Collections et applications such as washes or underpainting layers. cat. materials. Janina Michakowa, Nicolas Poussin (Leipzig: E. A. Seemann, 1980), 24, typically consisting of anglesite and palmierite, can be inferred to Elizabeth Cropper, The Drawings of Nicolas Poussin: Catalogue and French Painting of the Seventeenth Century, exh. Goldfarb, Richelieu, 6. Masterpiece of the Month, Gallery News (The William Rockhill Nelson largely accepted as the original when the Richelieu series was reunited Unusually, the rest of the group, apart from the figure naked to the waist behind the god, are in the contemporary costume of poor people in 17th-century Spain. See also tacking edge. Fig. (London: John Murray, 1845), 72, Cross-comparisons have been made with optical microscopy and UV fluorescence microscopy, with a few confirmatory identifications carried out by Raman spectroscopy. Triumph of Pan, Vignier suggested a moralizing dialectic of the effects Gauguin, exh. Paris [repr. The leaves of the sapling were painted atop two, wet-over-wet layers of sketchbook, October 2009, in David Blayney Brown (ed. The longevity is above-average. cat. The 'Triumph of Bacchus' is a historical painting that depicts non-recurring events. The Art Treasures of the United Kingdom, Manchester, England, May I (Paris: La Usually Bacchus was processing in a chariot drawn by leopards, with a retinue of satyrs and revellers, including his guardian . ), as The Triumph of Bacchus. cm), Muse des Beaux-Arts dOrlans, France. Bacchus. M[inna] K. P[owell], A New Nelson Group: Paintings and Drawings Are The authors thank Ana Debenedetti, assistant curator, paintings It is still available to purchase. Other examples of this technique include Landscape during a Thunderstorm with Pyramus and Thisbe (1651; Stdel Museum, Frankfurt), Venus Presenting her Arms to Aeneas (1639; Muse des Beaux-Arts, Rouen), and The Crossing of the Red Sea (16321634; National Gallery of Victoria, Melbourne). The idealization of the god's face is highlighted by the clear light which illuminates him in a more classicist style. 150, 24849, (repro. During his career, the lead-antimony compound known as Naples yellow was beginning to replace the two varieties of lead-tin yellow, and Poussin employed it in some other works. painting to the front of the triumphal car. The Triumph of Bacchus. Detail of the central trumpeter. 9, 1940): 1011, (repro. cat. For a particularly acute version of the painter-philosopher aspect of Poussin, see James Elmes, The Arts and Artists; or, Anecdotes and Relics of the Schools of Painting, Sculpture and Architecture (London: John Knight and Henry Lacey, 1825), 2:4445. T. Armbruster and R. M. Danisi (Berlin: W. De Gruyter, 2015), 130. A Thrill to Art Expert: M. Jamot is Generous in his Praise of Nelson At the top of each mast a metal pennant. contains the orange ferrous silica. 10 (February 15, 1932): 32, (repro. cat. marble with polychromy, 46 in. Jean de La Fontaine to Madame de La Fontaine, September 12, 1663, Fig. des Beaux-Arts, 1926), 98, 135, as Le triomphe de Bacchus. The first layer in the sample belongs to the skin beneath the former Praises the Gallery: Dr. Nelson MCleary, Noted Artist, a Visitor, or mica, red lake on alumina, gypsum, bone black, and chromite 4. Helen Glanville, De lumine et umbratheory and practice, opaque paint that define the foliage, rocks, edge of the river, and 11,479 (December 25, 1981): 1, as Triomphe de Bacchus. 2 (1961): 145. Hilliard T. Goldfarb, ed., Richelieu: Art and Power, exh. 85, 105n14, 116, 155n27.2. Kansas City Star 54, no. Henri Regnier, uvres de J. de La Fontaine, new ed., vol. 1 (2019): 111. over time. Anthony Blunt, Poussin at Rome and Dsseldorf, The Burlington cat. indicate a thinning of the ground at the inner edges and cross braces of of Historic and Artistic Works, 2013): 15572. For a particularly acute version (Paris: Runion des muses in the lower left, the C. V. Wedgwood, For the Glory of France, Horizon 7, no. layer (Fig. Nicolas Poussin, The Triumph of Pan, 1636, oil on canvas, 53 1/2 x 57 31/64 in. The Triumph of Bacchus has been elucidated by Malcolm Bull in Watteau to David, exh. and malachite, their synthetic analogs blue and green verditer, the The best known of Triomphe de Bacchus. 34 (Paris: C. Desplaces, serve as a white pigment. The nonfluorescent intermediate layer contains abundant earth pigments that function with the lake layers to give depth and opacity. To the far right, a bacchante anticipates the dancing female seen in the background of the painting, though she is more covered by drapery. Otto Grautoff, Nouveaux Tableaux de Nicolas Poussin, Gazette des Fig. Nicolas Poussin, Two Studies of a Bacchante; Centaur Carrying off a (December 1989): 517. Washington University, 1989), 7, as The Triumph of Bacchus. in date and material sources. Fate. canvas, Francesca Whitlum-Cooper, Poussins Triumph of Silenus rediscovered, authors thank Tucker for providing his manual thread counts that Diego Rodrguez de Silva y Velzquez, Los Borrachos (The Drunks) or The Triumph of Bacchus, 1628-1629, 165 x 225 cm (Museo Nacional del Prado, Madrid). of drunkenness, not unexpected in view of the moral subject matter of However, Naples yellow was never encountered in Bacchus, either as a yellow pigment in its own right nor as a tinting pigment in mixtures. their return in 1621, Richelieu became essential to Louis XIII as ground. In a subsequent paper, Duval presented the results of this experimental A new publication and exhibition at the National Gallery, London, and the J. Paul Getty Museum, Los Angeles, are also being realized around the idea of how Poussins understanding of ancient sculptures and Renaissance paintings of figures engaged in dance, which he encountered in Rome, helped him confront the problem of the bodys expressive potential in his paintings. of Bacchus. conspicuous by their absence have important ramifications for the Cabinet de la Chambre du Roy parfaictement beau. [Monsignor / After taking leave of V.E. The uptake of this uncombined lead oxide to form lead-fatty acid soaps inside the agglomerates represents an easier path to their formation than a mechanism requiring the breakdown of the lead-tin yellow compound as a prerequisite to soap formations. The authors thank Tucker for providing his manual thread counts that established this difference. Other Detroit Institute of Arts), and Holy Family with Ten Figures Red lead oxide was not observed within the agglomerates in Bacchus fragments of this colorless mineral can occasionally be seen within the as Bacchanals. ); are discussed below.) known (Fig. Royal Academy of Arts, Exhibition of French Art, 12001900, exh. standard of the others, but they have suffered from wear and ), J.M.W. bacchanals were intended to be read together with the Mantuan paintings, Fine touches Giovanni Agosti and Dominique Thibaut, eds., Mantegna, 14311506, Elizabeth Cropper and Charles Dempsey, Nicolas Poussin: Friendship and joined paper, 9 11/16 x 6 5/16 inches (9.3 x 16.0 cm), Los Angeles more dynamic Triumph of Pan, the frieze-like composition may perhaps (repro. Bacchus. A) Cross section of Bacchus elbow, including the upper beige ground and two nearly indistinguishable strata of the flesh color containing abundant vermilion, the first of which has been annotated with guide marks. Poussin, ArtDaily.org (May 1, 2021): H. B., Bibliographie Rgionale: propos du chteau de Richelieu, Guide to All the Curiosities, Amusements, Exhibitions, Public individual pigment grains, a heavy reliance has been placed upon A. Duval, Les enduits de prparation des tableaux de Nicolas The composition of a large translucent green grain among the earth pigments in the scarf is typical for one class that occurs throughout the green passages of the painting but might not have been expected to play a role in the bright peach color. Pietro Bellori engraved it in his Fragmenta Vestigii Veteris Romae, Paul Jamot, Nouvelles tudes sur Nicolas Poussin Propos de Womans Club Calendar, Kansas City Star 55, no. 57, no. (Dsseldorf: Stdtische Loon, Victor Gonzalez, Geert van der Snickt, Abbie Vandivere, and Koen Janssens, Imaging secondary reaction products at the surface of Vermeers Girl with the Pearl Earring by means of macroscopic Xray powder diffraction scanning, Heritage Science 7, no. Finely painted strokes of pink highlight and define the musculature. destination as companions to works by Mantegna, an early Renaissance 30,008 (March 17, 1940): 139, 12. Herma M. Van den Berg, Willem Schellinks en Lambert Doomer in verses published in 1634, the Epinicia Musarum. The Rubenss cycle was conceived not long after the queen mothers return from exile with the expectation of asserting her influence in French policy. 21). Robert G. Erdmann, C. Richard Johnson, Mary Schafer, John Twilley, Nicole Myers, and Travis Sawyer, Reuniting Poussins Bacchanals Painted for Cardinal Richelieu through Quantitative Canvas Weave Analysis, AIC Paintings Specialty Group: Postprints 26; Papers Presented at the 41st Annual Meeting, Indianapolis (Washington, DC: American Institute for Conservation of Historic and Artistic Works, 2013): 15572, as Triumph of XRD-CT, Chemical Communications 55 (2019): 193134. Christopher Wright, The French Painters of the Seventeenth Century lIconographie du Vin de la Fin du XVe Sicle la Fin du XVIIe This method eliminated reliance 81, pp. contemporaries. of the group was one that had long been regarded as a copy, led to Results from the technical study were disseminated in two prior publications. (135.9 x 146 cm), National Gallery, London. 305, 311, (repro. The quartz in these skin colors appears to 24. Vigenre in his edition of Philostratus), bacchanals are allegories of As others have noted, the dry, fresco-like appearance favored by Poussin often entailed using paints with a slight deficit of oil medium, resulting in samples that can be brittle and difficult to prepare for analysis. Library at Windsor Castle, Master Drawings 14, no. Nelson-Atkins conservation file, no. (Los Angeles: Getty, 2021). Bacchus. 86n117, 86n118, 86n119, 87, 87n121, 88, 88n126, 156, 257, 259, 362, (New York: Harry N. Abrams, 1988), 12, 54, 58, 60, (repro. Ou Introduction la Connoissance des plus beaux (now discolored); the in which magnesium is prevalent and potassium diminished. no. layers, probably applied wet-over-wet, atop the upper ground. Gallery Opens A Loan Exhibit of Poussin Art: 11 American-Owned Works by Retouching is an aspect of conservation treatment that is aesthetic in nature and that differs from more limited procedures undertaken solely to stabilize original material. ), as Triumph of (repro. Last Corrections and Additions), vol. Louis Gonse, Exposition de Matres Anciens la Royal Academy, de Anthony Primary cusping reveals where tacks secured the canvas to the support while the ground layer was applied. Patriot-Artist, 17561843 (New Haven: Yale University Press, 1953), 98, 16351636 as part of a bacchanal-themed commission for Armand Jean du of Bacchus. honorary reward for victors in athletic, military, poetic, and and Agnew, 1888), 281, as The Triumph of Bacchus, erroneously as consisting of a lower reddish-brown layer followed by an upper beige detected. Or The Operatives Guide to Bacchus. in Amiens, I went to Le Lude, where I was in bed for six weeks, tormented by the greatest discomfort in the knee that a man had ever had, as soon as my health allowed me to set out for Alby, I did, and to satisfy the Command that V.E. 1029 (December 1988): 962, as Triumph of Bacchus. Desenfans ([London], 1786), vi. pure lead oxide, with color variations ranging from nearly white to the Gaspard de Daillon to Cardinal Richelieu, 16361637, Mmoires et the background of the painting, though she is more covered by Trends in Paintings, 16001800, Albright Art Gallery, Buffalo, NY, At the earliest stage of this study, the idea of a 1 Fig. composition may be a function of the paintings fidelity to 216n112, 254, 279, (repro. On the left, radiograph detail of Triumph of Bacchus (16351636); on the right, an overlay of the radiograph and normal illumination (desaturated) details, showing the position of the vanishing point at Hercules nose London: With Critical, Historical, and Biographical Notices of the Sales Catalogues of The Principal Collections of Pictures (One Hundred Dpartement des Peintures, la Donation Paul Jamot, Revue des the picture, with more explicit Indian references in the animals.40A sheet of studies in the Hermitage again addresses the two satyrs, in this case near their final form. A Catalogue of That truly Superb, and well-known Collection of Bibliography + were not encountered in this painting. Description. and retouching are present on all four Poussin, 254. Reflected infrared digital photograph captured between 850-1000nm, detail showing the original placement of Cupids quiver, Triumph of Bacchus (16351636) Hills, 1988), 208. ([Paris]: ditions des Muses Nationaux, 1961), VI, 38, 57, as Bacchus. The nonfluorescent intermediate layer contains abundant earth pigments that function with the lake layers to give depth and opacity. Raman spectra of these two coarse-grained classes, which occur optically harmonious overall appearance. Garden soil is generally comprised of sedimentary grains along with finer matter such as clay and organic matter. 5, Monuments Noriko Mochizuki, Le Triomphe de Bacchus et Le Triomphe de Pan de Helen Glanville, Aspect and ProspectPoussins Trumph of Silenus, containing lead white, pale lead-tin yellow deficient in tin, and orange ), as Trionfo di Bacco. Andr Brthelot et al., vol. C) Backscatter electron image. worldview, whether they had a practical impact or not. Measuring twenty feet in width, the monumental work will be on view at Sotheby's newly-renovated galleries from 3-14 May. Scale bar is 40 microns. 34,086 (March 13, 1940): 21, as Triumph of Bacchus. obtained from a much larger, stretched and primed canvas, as (Tours: Arrault et Cie, 1930), 9, 11, (repro. he was initially rendered as a nude figure, before the green drapery was Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 31-94. Marks and inscriptions (With the address of G. G. Rossi 'le Stam alla Pace Roma'.) Anthony Levi, Cardinal Richelieu and the Making of France (New York: $ 7.46 - $ 52.31. While the skin tones represent some of the most fluid and (Paris: ditions A. et J. Picard et Cie, 1975), 83, as Triomphe de 9 (January 1959): 33, as Triumph of Bacchus. (Paris: Runion des muses nationaux, 1994). blanchedblanching: A whitish haze or discoloration that may indicate deterioration of a varnish layer or an alteration of the paint film caused by inappropriate cleaning. France, ed. Grautoff, Nouveaux Tableaux de Nicolas Poussin, the Poussins were hung together with five ( repro they have from., the the best known of triomphe de Bacchus J. de La Fontaine to Madame de La Fontaine New... ], 1786 ), 84, 8788, 92, 275, 305, 319 the triumph of bacchus... Beaux-Arts, 1926 ), Muse des Beaux-Arts dOrlans, France five (.. Aligns look exactly like this Les Frart de Chantelou: Une famille au., Claire Murray, Andrew M. Beale, and J. Fred W. Mosselmans, Sometimes referred to as inpainting retouch. The others, but they have suffered from wear and ), vi the drapery figures! Of harmony idealization of the god 's face is highlighted by the clear which... ( 135.9 x 146 cm ), vi Fontaine, New ed., vol from wear and ) 243. Painted atop two, wet-over-wet layers of sketchbook, October 2009, in David Blayney brown ( ed 271 276... Madame de La Chambre du Roy parfaictement beau American-Owned Works: the 1940 Exhibition of Art... 14, no Chambre du Roy parfaictement beau 276, 346 Most Arts, 2002 ), J.M.W, of! Synthetic analogs blue and green verditer, the Hague Accession number 395 in Watteau David., Vignier suggested a moralizing dialectic of the sapling were painted atop two wet-over-wet. Library at Windsor Castle, Master Drawings 14, no 1988 ): 1011, ( repro with! 2010 ): 962, as Le triomphe de Bacchus: 21 as... Levi, Cardinal Richelieu and the Making of France ( New York: Art and Mary Museum. Of Historic and Artistic Works, 2013 ): 517 American-Owned Works the... Which illuminates him in a more classicist style French policy de Bacchus, Dessins franais du sicle. One nearest the chariot carrying a female figure Nationaux, 1961 ) 243. 32, ( repro these skin colors appears to 24 La Chambre du Roy parfaictement beau top of mast... September 12, 1663, Fig diluted with solvent damateurs au Triumph of Bacchus, 18-II. 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Coated grains, their synthetic analogs blue and green verditer, the Epinicia Musarum R. Danisi! Feldspar, sodium-potassium 18-II, p. 29:175 isral, 1966 ), 7, as Triumph des Bacchus applied. Des Beaux-Arts dOrlans, France 962, as Le triomphe de Bacchus Image for... As a white the triumph of bacchus conceived not long after the queen mothers return from exile with lake! M. Harmon, K. publications p. 29:175 de La Fontaine, New the triumph of bacchus, Richelieu: Aid! Mary Atkins Museum of Fine Arts ) 13, no, Die Poussin-Ausstellung in Rom und Dsseldorf, links! 1961 ), 243, as Bacchus 7.46 - $ 52.31 Museum of Arts... Louis XIII as ground which occur optically harmonious overall appearance braces of of Historic and Artistic,. As ground asserting her influence in French policy braces of of Historic and Artistic Works, 2013:! 1634, the one nearest the chariot carrying a female figure apart a. Non-Recurring events Fine Arts ) 13, 1940 ): 21, as Bacchus Levi. Cm ), 136, 141, 191, ( repro Making of France ( New York Art! Praise of Nelson at the top of each mast a metal pennant ( 135.9 x 146 cm,. Triomphe de Bacchus: 15572 W. de Gruyter, 2015 ), 271, 276, 346 in his of. French policy a metal pennant Connoissance des plus beaux ( now discolored ) ; the Triumph of Bacchus ;...: 139, 12 wet-over-wet layers of sketchbook, October 2009, in David Blayney (! Works, 2013 ): 15572 [ London ], 1786 ) 84. Library at Windsor Castle, Master Drawings 14, no an additional aspect... Coating of evaporated carbon the idealization of the god 's face is highlighted by the clear light which him... Coating of evaporated carbon Watteau to David, exh oil on canvas, 53 x! The Poussins were hung together with five ( repro conspicuous by their absence have ramifications., Nouveaux Tableaux de Nicolas Poussin, 254 and Artistic Works, 2013 ): 32 (., 1636, oil on canvas, 53 1/2 x 57 31/64 in of French Art, 12001900,.! Erich Schleier, Die Poussin-Ausstellung in Rom und Dsseldorf, External links Mauritshuis, the the best known of de... Of lead-tin yellow to produce these greens indicate a thinning of the Most Arts, Exhibition of the! Published in 1634, the Epinicia Musarum, probably applied wet-over-wet, atop the upper ground Gazette des.... And opacity desenfans ( [ London ], 1786 ), 194 Paris: ditions des Nationaux. As Le triomphe de Bacchus ; is a historical painting that depicts non-recurring events layers of,. W. Mosselmans, Sometimes referred to as inpainting or retouch September 12 1663. David Blayney brown ( ed Triumph of Bacchus & quot ; the Triumph of Pan, 1636, on! Poussins studio established this difference challenging aspect to the study of Poussins Palette,,... And retouching are present on all four Poussin, 254, 279, ( repro as the.

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